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Showing posts from June, 2008

Happy Days with My Favorite Sadomasochists

We bought a property on Friday. During the closing, the seller's real estate agent kept offering to give us ("the enemy") stuff. The seller's real estate attorney looked ready to squeeze his head and crack it like a nut. Tom and I huddled under the conference room table to escape from stray fisticuffs and evil death stares. Meanwhile, our very own real estate agent's assistant fiddled with her extremely low neckline and wondered aloud why her Blackberry kept sending email messages all by itself. I was about ready to poke needles in my eyeballs. Here's just a taste of the backstory. There's more where this came from, but I will spare you. The Cast in Order of Appearance Robert H: The Seller's Real Estate Agent Jane: The Seller Alan Esq: The Seller's Real Estate Attorney Stacey and Tom: The Buyers - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - In a message dated 6/25/2008 4:38:48 A.M. Eastern Daylight Time, Robert H (t

Two - Four Inches is the Difference Between the Back of a Head and the Artist on Your TicketStub

I have devised an ingenious scheme for increasing my personal elevation above sea level. This skill is essential for general admission shows wherein Only the Tall Can See the Stage. The secret lies in footwear. Besides the towering platform base needed to jack you up an extra 2 - 4", a light shoe tare weight is also required. Afterall, you can't actually WALK in these shoes so you have to carry them in your backpack to the venue. Along these lines, I have noticed an interesting statistical anomolie. No matter what doorstep you select to sit on to change out of your commuting shoes and into your stilts, and despite the fact that it takes sub-two minutes to execute the transaction, a resident of the dwelling whose entrance you are blocking will inevitably return home at the exact moment when you have each foot in a different shoe and a sock hanging off his railing.

Richard Cheese feat Lounge Against the Machine : Webster Hall : June 21, 2008

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Richard Cheese held my hand. He looked deeply into my eyes and sang about some chick in a green shirt named Vanessa's hoo-ha. It was such a highlight. At Webster Hall, there is always this big Big big Black dude security guard named Lowes. Lowes sits stone-cold and bulging biceps cross-armed in front of the stage. For entire shows, he steely eyes the crowd and keeps us in line via the silent promise of Unilaterally Assured Destruction. Not even once, have I seen Lowes succumb to the merest facial twitch. But when Richard Cheese broke into a little swanky Vegas-style Shake Ya Ass by Mystikal, I spied full-on, teeth-baring, LOLing. There is something inherently fabulous about a very white man in a tiger-skin tuxedo sahaying around crooning X-rated gangsta rap. In light of his musical genre, Richard "Dick" Cheese's stage show was not unexpected. Nonetheless, I wouldn't have predicted the hijinx. The man is hotly smarmy, brazenly greasy, semi-sober, yet broadly capti

Didja Hear The One About....

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What do you call it when you get stuck in the airport for hours? In-Terminal-able. Well, Melissa thought it was funny at the Sushi Lounge yesterday.

Kashi Masterpiece

My pop is an artist. His medium is cereal. Cold cereal. He layers together high terrariums of flakes and nuggets and mini-biscuits. Masterpieces in glass bowls. My father's most productive time is in morning. He starts by flinging open the doors of two cabinets entirely packed with cereal boxes. He squintily eyeballs his vast palette of shapes, colors, textures and sizes of pressed grain and dried fruit. He carefully selects the most inspiring for his chunky canvas. Sometimes he pre-blends a concoction of granola and raw oatmeal and flaxseed into a large plastic container. He uses this like primer. For foundation purposes. Flattening it out in the bottom of the bowl. Clean kitchen counters are not a priority for pop. He loses himself in the process of creation. He takes into account density, mass and buoyancy. He works for varied texture, coordinated color and structural integrity. When the milk and/or applesauce is layered in, the design must stand up to the rapid liquidation. Pop

Sex in the Suburbs

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Jen's mad delight on and about Sex in the City: the Movie + Her shepherd-meister herding skills = Almost all the OC Girls in the Morristown Clearview Theatre Friday night for the 7:30 showing. Despite the veritable fiesta platter of Labels and Love, Melissa could not be deterred from going down the shore. "Labels and Love." That's the Carrie-proclaimed theme of the movie. A sensitive exploration into the inner lives of brutal shopaholics. As the movie trundled on, I myself decided to slip into something more comfortable. Like a coma. For the sake of accurate reporting, which I have never purported any aspiration to achieve, my review of the movie would contain the following three points: All the loose ends from the TV show have been tied up nicely enough for Saks 5th Avenue. A tiny meaty nut of plot is embedded inside an enormous foo foo fruit of cashmere, silk and blue peacock feathers You would think that such smart and independently successful women would be a li

Sprinkle-Spangled Fix Cures What Ails You, Bro

Man rushes into new loose tea store on 9th avenue between 41st and 42nd street. He stops short just inside the tranquil Zen doorway. Wide-eyed and frantic, he twirls around in panic circles, finally bursting out: “Cupcakes? Cupcakes! Where are the cupcakes?” Tiny hippie shopkeeper peers over her red-rimmed glasses: “Cupcake bakery moved around the corner, Mister.”